Better than any choir in Cairo
I sit down at the make-shift breakfast nook with my mint tea and flat-bread sandwich in hand. The old nightstand and mismatched chairs Sammer hauled downstairs serves well as our only area to sit and eat near the kitchen. There’s not much to look at. The brown staircase leading to the bedrooms complete with an empty storage niche at the bottom fit for Harry Potter himself. The heavy white door to the kitchen that was built far too large for the door frame and never closes. An entryway to an unfinished bedroom, the sheets Sammer hung up as a curtain to give us privacy from the main road. And just to the right of that, the front door to the ground floor of our apartment building. The tube lighting above me buzzes as if, like everything in Egypt, it’s about to break but never does.
Somewhere outside, I hear a voice. It sounds beautiful and reposed as it descends the stairs outside my door. What surah is that? I listen harder but I don’t have to because the voice gets louder and closer. He’s leaving the building and I can hear him continue to recite to himself the whole way out. Some people whistle while they work or hum as they walk, but he doesn’t. This isn’t the first time I’ve heard this voice reciting Qur’an merrily as he walks in and out of the building but each time I hear it, it sets me at ease.
The athan sounds. Allahu Akbar. It’s carried on the air and into the room. A dozen Allahu akbars overlaying each other like bricks built upon one solid foundation, one unified call. In their loud unwavering voices, the athan is an unstoppable force, an assertion of religious identity that no Pharaoh or President could suppress. I proceed upstairs to respond to it. It amazes me how something so “overplayed†as the athan, 6 times a day (there are two for Fajr), can still have such a magnetic pull to it as it pulses throughout the busiest and most populated metropolitan city in the world. I think of how I have to change the Alarm tone on my cell phone every now and then lest my ears become immune to hearing the same one every morning and fail to wake to it.
Not with the athan.
After salah I sit down to do my homework, wajib as she calls it. After all it’s something compulsory that must be done! In a room with no TV, no phone line or internet, I often feel very disconnected from the outside world. Right now though it means there’s nothing to distract me from my wajib. I write the Hijri date at the top of my paper, it feels so nice to be able to do that, to be constantly reminded of the day when Prophet Muhammad salAllahu `alayhi wa sallam, made that brave and dangerous migration to Medinah. To remind myself that today is another day to follow in those footsteps and move from bad towards good in my own life.
A neighbor puts on a tape of Qur’an recitation and thankfully the sawt is wadih enough for me to listen along with. This beats having the TV on as background noise any day. The recitation is slow and almost mesmeric. I’m happy and content doing my work, guiding my pencil from right to left across the page, dotting the letters and carefully placing the vowels. Likewise, the Egyptian recitor gives each letter it’s due right as he enunciates, elongates, and stops on them correctly- upholding his people’s reputation for their superior mastery of tajweed.
The people here take these sounds for granted, the Qur’an tapes being played in neighborhoods and shopping malls, the athan calling them punctually for every prayer. It’s funny how these things, though they are a part of every day life here for the locals, manage to catch my attention so easily. I am comforted by this and wonder at how, in a sense, these sounds make me feel more at home here than I’ve ever felt before.
This is a view of Maadi, Cairo.

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